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How to sort a bulk MTG collection | ManaArchive

Guide · Organize and store

How to sort a bulk MTG collection

Sort a bulk Magic collection in passes: pull anything worth checking first, then sort by color and type or by set, and decide what to do with the true bulk.

Sorting bulk is a triage problem before it is a filing problem. If you try to put every card into its final place on the first handling, you will stop somewhere in the middle of the second box, because most of the pile does not deserve that much attention and the few cards that do are buried in it. Work in passes instead: pull anything worth a second look, sort what remains into a coarse order, and then decide what the leftovers are for.

Three quick passes over a box are faster than one careful pass, and much easier to stop halfway through. Each pass has one decision in it, and a pass with one decision moves at the speed of your hands rather than the speed of your judgement.

Pull anything worth a second look first

The first pass has exactly one question: check pile, or not? Do not price anything, do not sort anything, and do not read the card. You are looking for signals, not making valuations.

The signals worth stopping for:

  • Rares and mythics. On modern printings the set symbol is colored by rarity, so these come out at a glance. Older printings use the same symbol color for every card in the set, which is why the next signal matters.
  • Anything that does not look like a current card. Older frames, unusual borders, gold or silver borders, oversized cards. An unfamiliar frame is the cheapest way to spot an old card without knowing a single set name.
  • Foils and other finishes. Foil and etched printings are priced separately from the plain version of the same card, so they never belong in the bulk pile by default.
  • Cards in another language. They are worth checking separately, and they are hard to search for later if they get filed by sight into an English run.
  • Anything you recognise. Cards you have seen played in a format you follow, or that a friend has asked about.

Err towards the check pile on the first pass. A card wrongly pulled costs you a few seconds later; a card wrongly left behind disappears into a box you are not going to open again for a year. The pile will look alarmingly large the first time, and it will shrink fast once you have handled one boxful and learned what the signals feel like.

That is the whole pass. Everything else goes into the bulk stack without another thought, and the check pile gets handled once, in one sitting, with a price source open. Batching the lookups is the single biggest time saver here, because what any given card is worth depends on its printing, its finish and its condition, and switching between sorting and pricing costs you the rhythm of both. When you do work through the check pile, tracking values at the printing level is what keeps the answers useful afterwards.

Sort what is left by color and type, or by set

The second pass decides the order the collection will actually live in. Two orders do nearly all the work.

Color, then type. Split into white, blue, black, red, green, multicolor, colorless and artifacts, and lands. If you want one level deeper, separate creatures from everything else inside each color. This is the order to choose if the bulk exists to feed deck building, because it matches the way you look for a card when you are short two removal spells.

Set, then collector number. This mirrors the way a set was printed, so it is the order to choose if you are completing sets or planning to sell in set-sized chunks. Gaps become visible instead of theoretical, and a set index gives you the running order for the sets you cannot recall.

Whichever you pick, go exactly as deep as you will maintain and no deeper. A color sort you keep up with beats a color-then-type-then-alphabetical sort that collapses the first time you empty a draft bag onto the table. The same principle runs through organizing a collection: the filing step has to be short enough that you do it standing at the box.

Decide what the true bulk is for

What is left after the first pass is genuine bulk: commons and uncommons that nobody is going to look up. It still has three futures, and picking one now is what stops it from occupying a shelf for years.

Keep it to play with. Bulk is the raw material for a cube, for teaching decks, for pauper-style brews, and for handing a pile to someone who wants to learn. If that is the plan, sort it by color and give it a labelled box, because unsorted bulk is not usable for any of those things.

Give it away. Local shops, schools and clubs often take commons for exactly the uses above. This is the fastest way to convert a box into space.

Sell it. Bulk moves by the box or the thousand rather than by the card, and what it fetches depends on the buyer, on whether it is sorted, and on how thoroughly it has already been picked through. Work out what a buyer near you actually wants before you spend an evening sorting for them.

A useful test for which future applies: imagine the box is already gone and ask whether you would miss it. If the honest answer is no, the shelf space is worth more than the cards, and the sorting effort should be sized accordingly — a color sort so the next owner can use it, and nothing finer.

The one option that is not on the list is leaving the decision for later. Bulk you have not decided about gets re-sorted every time you open the box, which is the most expensive way to own commons.

Set up the table before you start a pass

Sorting speed is mostly a property of the table, not the sorter. Before the first card comes out of the box, lay out one destination for every pile the current pass produces, and no more.

  • A tray, box lid or marked area per destination. Piles that touch get mixed, and a mixed pile costs more than the pass saved.
  • Dividers or index cards, labelled. Write the label before the pile exists, not after, or you will end up with three unlabelled stacks and a memory test.
  • One price reference, open, for the check pile only. The card catalog is the kind of thing to have in front of you when the pass is finished.
  • Sleeves and a rigid holder within reach. Anything that comes out of the check pile should be protected before it is put down; storing cards long term covers what protects against what.

Then work with the box closed except for the handful you are holding. An open box next to an open pile is how the sorted and unsorted halves find their way back together.

Sort for the purpose, not for tidiness

The right depth of sort depends entirely on what happens next, and this is where most bulk sorting goes wrong: people sort to feel organized rather than to answer a question.

If the goal is decks, stop at color and type, and keep a separate small box for the cards you reach for constantly. If the goal is selling or trading, sort by set and pull condition problems out as you go, because a played card found halfway through a sale costs more than the one you set aside now; a deliberate trade binder is worth more than a bigger sorted box. If the goal is completing sets, sort by set and work against a list, so the pass produces a want list rather than another pile.

Whichever it is, this is the cheapest moment to write down what you own, because every card passes through your hands exactly once. Taking inventory as you sort costs a fraction of what a second full handling would.

Doing this in ManaArchive

ManaArchive is built for the state a bulk sort leaves you in: copies recorded at the printing level, each one placed in a named box or binder so the sorted result is searchable without opening a lid. Cards that came out of the check pile can carry their own condition and finish rather than being averaged into the pile they came from. See how it works if the sort is the part you have already done.

ManaArchive keeps every copy's printing, finish, condition and shelf in one place.

See how it works